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Laura González Cabrera

Laura Gonzalez Cabrera (Las Palmas de Gran Canaria, 1976), has a degree from the Fine Arts Faculty of Salamanca (USAL). She received the DKV Award for the Best Spanish Artist (2015) and the Gold Medal from the Architecture Biennial Miami + Beach (2009). She was awarded grants by Paris City Hall to carry out a residency at Les Récollets Centre (2019). Her work has been shown at numerous exhibitions in institutions and museums, as well as at several different national and international galleries and fairs. Among them we would like to highlight the following: MediaLab Prado, Madrid (2021); Santa Cruz de Tenerife Official Architects' Association (2020); Las Palmas de Gran Canaria CAAM (2020, 2013 y 2008); La Regenta Art Centre (2019); Pollença Museum, Mallorca (2018); the Naturgy Foundation Contemporary Art Museum (MAC) , La Coruña (2018); Canary Islands Foundation for the Development of Painting (2017); Today Art Musem, Pekin (2016); TEA, Santa Cruz de Tenerife (2016); Huelva Museum (2015); Lanzarote International Art Museum (2011); Fate Festival, San Potito Sannitico, Naples (2009); IX Biennial Dakar Off, Senegal (2008) and La Casa Encendida in Madrid (2007). Her artwords are included in public and private collections such as Los Bragales; Pilar Citoler; TEA Art Space; DKV Insurance; Canary Islands Foundation for the Development of Painting; DIDAC Foundation; Atlantic Modern Art Centre (CAAM); Canary Islands Government and Cabildo de Gran Canaria.

Since 2007, words and their placement in space have been one of the main points of development for Laura Gonzalez Cabrera's work. This explains her interest for writing and painting to express actions. Form becomes all that remains of this practice, gestures become the smallest unit of information and reiterating them becomes a kind of mantra. They are gestures calculated and ordered into reticular structures where colour, strokes and letters invite the viewer to scrutinize surfaces in search of some sense. The whole process is determined in advance with numeric, chromatic and geometric rules. It materialises through a process which rigurously meets the invariable protocols which are a kind of ritual. Visible and invisible become one, that is, the written word meets the experiences which it evokes, a link which translates into symbolic illegibility. 

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